Tuesday, January 24, 2012

Beatitude #1: Blessed are the poor in spirit

When Jesus stood up to declare what some commentators have called the "constitution" of his kingdom, he began with these famous words:

Blessed are the poor in spirit,
for theirs is the kingdom of heaven.

Scholars and writers differ on what the word "blessed" here really means. I remember Philip Yancey saying that the word in the Greek is more along the lines of "Oh you happy person!" I'm not sure about how reliable this rendering is, but it certainly draws attention to the fact that Jesus is saying something extremely irregular and counter-intuitive here: those who seem most downcast and weak are in fact the most blessed. How? And why?

A sermon at my church on the Beatitudes on Sunday got me thinking about this passage, and re-watching Lars von Trier's masterful Melancholia got me thinking even more. The film concerns two sisters, Justine (Kirsten Dunst) and Claire (Charlotte Gainsbourg) and their relationship as it plays out during Justine's increasingly problematic wedding celebration (Part 1) and the arrival of a threatening planet, Melancholia, which is moving ever closer to earth (Part 2). For much of the film, Claire fails to understand Justine's evident depression, and Justine is cautioned to "not say a word" to her husband about the ache that fills every moment of her life. Yet as the film unfolds Justine's depression is shown to be a valid response to the world around her, while Claire and her husband (brilliantly portrayed by an understated Kiefer Sutherland) are shown to be much more naive than you would have thought at the start.

So what is the message of all this? The film suggests at one point that the "poor in spirit" may in fact be gifted. Justine is shown to have almost mystical knowledge that others lack. I'm not so convinced. Justine's knowledge is that the universe is empty and meaningless; this is a fairly common thought for someone with depression, but I'm not convinced that it is the truth. Depression can lead us to feel and think things like this - and I've had my fair share of such thoughts - but we need to remember that, in times like those, it is the depression speaking, not some profound revelation.

But the film does offer something quite interesting in terms of how to deal with "Melancholia". The truth of Justine's condition, like the truth of the planet, is something that characters continually avoid. When John (Kiefer Sutherland) declares that "Melancholia [the planet] will just pass us by" and "will be the most beautiful sight" ever, he is shown to be devastatingly, emphatically wrong. Claire, who is always the strong one, is unable to confront heartbreak when it arrives. Neither is John. And Michael, Justine's erstwhile husband, is never seen again. So much for being strong. So much for "not breathing a word".

If the poor in spirit are blessed, it is not because they have a mystical awareness that life means nothing. It is that they are sometimes forced, in their brokenness, to confront the pain of human existence and, by God's grace, to move closer to Him and find their answer there. The truth is that all of us should recognise ourselves to be poor in spirit, because before God we all are. The answer is not to deny this or try to be strong in ourselves. The answer is to bring all our brokenness to Jesus Christ who was broken for us, and let Him heal us and give us hope.

I pray that Lars von Trier can realise this truth. He has come so close to it, but sadly remains so far.

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